I am so excited that two of my Autumn Equinox monotype prints have been selected for the juried exhibition Kullasalongen at Krapperups Konsthall!

I'm so thrilled and honoured to be invited for a cross-border artist collaboration between Sweden and Denmark!

As we prepared to say goodbye to our Christmas tree earlier this year, a thought struck me—could I perhaps extract any color from the nails?

I was lucky enough to spend some time in Norway over the New Year holiday. The cottage we stayed in was nestled between a lake and a forest—an absolute dream for a pigment maker!

Growing dye plants has a rich history in Sweden, where plants like woad (Isatis tinctoria), madder (Rubia tinctorum), and weld (Reseda luteola) were traditionally used to produce blue, red, and yellow dyes. During the 18th and 19th centuries, natural sources such as roots, berries, bark, leaves, lichens, and later even fungi were also used...

I am so thrilled that my artwork 'In Every Soul there's a Shore' / 'I Varje Själ Finns en Strand' has been chosen to be part of the juried exhibition Vintersalong 2024 at Nacka Konsthall, Sweden.

On the note of 'Nothing gold can stay' from my earlier blog post... this weekend I took a walk in Staffanstorp to see if the wonderful Tansy flowers I had found earlier this summer were still in bloom.

My Autumn Equinox Walk is finally published!

I love the arrival of autumn with its rich, deep hues. There's something grand about walking through a landscape illuminated with fiery reds and striking yellows.